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Responding to Isaiah 5, Lancelot Schaubert's short story causes readers to wrestle with the concept of justice as we identify and distance ourselves from the characters therein.

Isaiah 5



Lancelot Schaubert


Background Photo by Jewad Alnabi on Unsplash

Curated by: 

Spark+Echo Arts


Short Story

Image by Giorgio Trovato

Primary Scripture

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I wanted this piece to capture the ambiguity of future judgment and even the impermanence of it as all justice through Jesus is restorative and not retributive: a wasteland isn't an abyss, isn't nothing. A wasteland is simply laid fallow. In fact, the Heath is one of the biggest images in England for pre-cultivation, the sort of thing the Spirit might hover over like the primordial chaotic waters of creation. In this respect, even in the judgment of the verse, there's hope: from tilling to tilling to tilling. Sowing to sowing to sowing. Eventually you'll hit harvest, even if it takes a sabbath of sabbaths to fallow and find.

Spark Notes

The Artist's Reflection

Lancelot has sold work to The New Haven Review (The Institute Library), The Anglican Theological Review, TOR (MacMillan), McSweeney's, The Poet's Market, Writer's Digest, and many, many similar markets. (His favorite, a rather risqué piece, illuminated bankroll management by prison inmates in the World Series Edition of Poker Pro). Publisher's Weekly called his debut novel BELL HAMMERS "a hoot."

He has lectured on these at academic conferences, graduate classes, and nerd conventions in Nashville, Portland, Baltimore, Tarrytown, NYC, Joplin, and elsewhere.

The Missouri Tourism Bureau, WRKR, Flying Treasure, 9art, The Brooklyn Film Festival, NYC Indie Film Fest, Spiva Center for the Arts, The Institute of the North in Alaska, and the Chicago Museum of Photography have all worked with him as a film producer and director in various capacities.

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