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Author Lancelot Schaubert offers the second release from his inventive three-part mini-series, presented as a small newspaper in response to a collection of Scripture passages.

This section focuses on the theme of "overcoming" as found in Romans 8:29-39.

Romans 8:29-39

Dragonsmaw Daily | 2


Lancelot Schaubert


Curated by: 

Spark+Echo Arts


Creative Writing

Image by Giorgio Trovato

Primary Scripture

For whom he foreknew, he also predestined to be conformed to the image of his Son, that he might be the firstborn among many brothers.
Whom he predestined, those he also called. Whom he called, those he also justified. Whom he justified, those he also glorified.
What then shall we say about these things? If God is for us, who can be against us?
He who didn’t spare his own Son, but delivered him up for us all, how would he not also with him freely give us all things?
Who could bring a charge against God’s chosen ones? It is God who justifies.
Who is he who condemns? It is Christ who died, yes rather, who was raised from the dead, who is at the right hand of God, who also makes intercession for us.
Who shall separate us from the love of Christ? Could oppression, or anguish, or persecution, or famine, or nakedness, or peril, or sword?
Even as it is written,
“For your sake we are killed all day long.
We were accounted as sheep for the slaughter.”
No, in all these things, we are more than conquerors through him who loved us.
For I am persuaded that neither death, nor life, nor angels, nor principalities, nor things present, nor things to come, nor powers,
nor height, nor depth, nor any other created thing, will be able to separate us from God’s love, which is in Christ Jesus our Lord.

Romans 8:29-39

I wanted the stories featured in this section of the Dragonsmaw Daily to speak to the death we face, to the groaning of creation, and the typical feel of extinction. I think it succeeded in this front — you might need to read it and the passage a couple times to pick up on all the themes.


The Dragonsmaw daily is a paper circulating on LOMEDAY of the month of BLAGUROEDD 47 in the year 1109 P.T. on Gergia, one of the Vale Universe (short story series here). It may seem like a high-shelf sort of entry for the average reader, something that takes a herculean effort to embrace in terms of the suspension of disbelief or secondary belief in my created world. However, I think it's quite easy: if you'll trust me, it'll read as a wonderfully foreign paper from a wonderfully foreign world. It's ephemera: something like an in-world artifact I happened to pick up from a newsboy who was hawking EXTRA EXTRA EXTRA copies in order to have enough ₮ to get his sister through the week on an onion (actually it's more like a leek) based soup. She beat the fever, in case you were wondering. But I brought it back from Gergia and gave it to my friends at Spark and Echo that it might supplement the stories I've written here and elsewhere about these fantastic worlds I travel so frequently.

For those that have followed along in any capacity, this paper tells of events taking place prior to the events in the Moon Boys series from my artist residency and quite far in the past from the other commissions here at Spark and Echo. It occupies the region around the Imperial Crescent in Gergia (top left of the main land mass on that false map I drew of the world). Each of the events recorded in this paper feature major workings in the region. All together I wanted to bind up the themes of extinction, of power dynamics, and of being lost and found into one piece. So I stitched together three commissions in a more unified form than normal. Of course some parts of the paper will remain out of reach for some time — like any foreign country, Gergian customs and economics and politics only make sense after you've lived there for quite some time. But one day the times, dates, seasons, and currency will make perfect sense to you. And then the dread realization of what the paper really reveals will come all too clear, as clear as a Bell Hammer.

Spark Notes

The Artist's Reflection

Lancelot has sold work to The New Haven Review (The Institute Library), The Anglican Theological Review, TOR (MacMillan), McSweeney's, The Poet's Market, Writer's Digest, and many, many similar markets. (His favorite, a rather risqué piece, illuminated bankroll management by prison inmates in the World Series Edition of Poker Pro). Publisher's Weekly called his debut novel BELL HAMMERS "a hoot."

He has lectured on these at academic conferences, graduate classes, and nerd conventions in Nashville, Portland, Baltimore, Tarrytown, NYC, Joplin, and elsewhere.

The Missouri Tourism Bureau, WRKR, Flying Treasure, 9art, The Brooklyn Film Festival, NYC Indie Film Fest, Spiva Center for the Arts, The Institute of the North in Alaska, and the Chicago Museum of Photography have all worked with him as a film producer and director in various capacities.

Lancelot Schaubert

About the Artist

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