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Responding to Galatians 4:21-5:1, author and 2019 Artist in Residence Lancelot Schaubert presents the final installation of his four short stories that will ultimately become chapters in the third novel within his White Trash Magic trilogy.

Galatians 4:21-5:1

Artist in Residence 2019: Lancelot Schaubert

By 

Lancelot Schaubert

These stories contain strong language and may not be suitable for all audiences.

Credits: 

Curated by: 

Spark & Echo Arts, Artist in Residence 2019

2019

Fantasy

Image by Giorgio Trovato

Primary Scripture

Tell me, you that desire to be under the law, don’t you listen to the law?
For it is written that Abraham had two sons, one by the servant, and one by the free woman.
However, the son by the servant was born according to the flesh, but the son by the free woman was born through promise.
These things contain an allegory, for these are two covenants. One is from Mount Sinai, bearing children to bondage, which is Hagar.
For this Hagar is Mount Sinai in Arabia, and answers to the Jerusalem that exists now, for she is in bondage with her children.
But the Jerusalem that is above is free, which is the mother of us all.
For it is written,
“Rejoice, you barren who don’t bear.
Break out and shout, you that don’t travail.
For more are the children of the desolate than of her who has a husband.”

Now we, brothers, as Isaac was, are children of promise.
But as then, he who was born according to the flesh persecuted him who was born according to the Spirit, so also it is now.
However what does the Scripture say? “Throw out the servant and her son, for the son of the servant will not inherit with the son of the free woman.”
So then, brothers, we are not children of a servant, but of the free woman.
Stand firm therefore in the liberty by which Christ has made us free, and don’t be entangled again with a yoke of bondage.

Galatians 4:21-5:1

For this final piece, I wanted to show how the common life of these boys starts to radiate out in strange ways towards the fantastic. The four pieces were always intended as a sort of series of intro chapters for the book 3 sequel to the trilogy I started with Bell Hammers, my forthcoming debut novel. I think, in general, I wanted the text to show how you can preserve both the fantastic and the mundane in the same family and through different methods. In this piece, it's clearly showing the good and bad, miraculous and fantastic I myself have witnessed in religious communities of various shapes and sizes. But I also — as the epigraph pointed out — wanted to show some of the danger of magic. Sometimes you play around with the wrong thing, you get real and truly lost and that can be bad or good, depending on your response and to whom you appeal for help.


I'm grateful for Jonathan and Rebecca and the whole team at Spark+Echo for making this possible for me. The residency itself not only gave me space to play in this world in an otherwise busy publishing year, it actually helped me consider whether I'd properly seeded the fantastic in my debut novel — I had, as it turned out. And, practically, it gave me the cash to hire a cover designer with whom I am quite proud as you'll see in the Goodreads copy. In fact, while we're here, if you enjoyed any of these pieces, you'll enjoy Bell Hammers, so could you just boogie over there and rate my debut novel 5 stars and add it to your want to read list? That would be a huge help as we finish out this thing.


Keep an eye on the world. This Spark+Echo residency is simply a small, small piece of an epic journey. It will be revised — in some ways — beyond recognition, but those of you who have followed along and who buy my stories from the Vale universe will see very soon how it plays a vital role.


And you're always welcome to submit your own art and stories and research over at The Showbear Family Circus! We'd love to have you.






Spark Notes

The Artist's Reflection

Lancelot has sold work to The New Haven Review (The Institute Library), The Anglican Theological Review, TOR (MacMillan), McSweeney's, The Poet's Market, Writer's Digest, and many, many similar markets. (His favorite, a rather risqué piece, illuminated bankroll management by prison inmates in the World Series Edition of Poker Pro). Publisher's Weekly called his debut novel BELL HAMMERS "a hoot."


He has lectured on these at academic conferences, graduate classes, and nerd conventions in Nashville, Portland, Baltimore, Tarrytown, NYC, Joplin, and elsewhere.


The Missouri Tourism Bureau, WRKR, Flying Treasure, 9art, The Brooklyn Film Festival, NYC Indie Film Fest, Spiva Center for the Arts, The Institute of the North in Alaska, and the Chicago Museum of Photography have all worked with him as a film producer and director in various capacities.

Lancelot Schaubert

About the Artist

Posh Girls

As Waters Cover

Dragonsmaw Daily | 1

Dragonsmaw Daily | 2

Dragonsmaw Daily | 3

Watchtower

Stripped to the Bonemeal

Metaphysical Insurance Claim 0075A: The Delphic Oracle

Philadelphia

Bloodlines

Lancelot Schaubert

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