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Resident Artist Emily Ruth Hazel’s new poem in response to the theme of “Lies” and Genesis 2:21-25, 3:1–13; John 3:8; 18:37–38; Ephesians 5:25-33 and Revelation 22:17 as she builds a poetry collection responding to every theme from the year as a 2013 Spark+Echo Artist in Residence.

Genesis 2:21-25

Genesis 3:1–5

Genesis 3:7–13

John 3:8

John 18:37–38

Ephesians 5:26–33

Revelation 22:17

Runaway

By 

Emily Ruth Hazel

Credits: 

Curated by: 

Spark+Echo Arts, 2013 Artist in Residence

2013

Poetry/Spoken Word

Image by Giorgio Trovato

Primary Scripture

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As with the first three themes of the year, which I found myself defining by contrast—Light and Darkness were intertwined, the theme of Fools led me to write about wisdom, and Dancing was set in relief against grief—the theme of Lies inspired me to explore the alternatives, honesty and truth. Under the many layers we wear, there is an opportunity for daring vulnerability and naked authenticity. The truth of who we are, and of who God is, is not as simple or as flat as it is often presented or misunderstood to be; deeper truths are always multifaceted.


In “Runaway,” I wanted to take a closer look not only at our human tendency to run away—from truth, among other things—but also at how God has different qualities of a runaway, being hard to tie down and moving unexpectedly. This got me thinking about our human strategies for trying to make sense of our world and of the spiritual realm, and how religion can come close to articulating these things but sometimes misses the point entirely. Since subtle masks and readily accepted myths can be just as dangerous and destructive as overt lies, if not more so, I wanted to offer a poem that could acknowledge a few misconceptions about Christianity and some of the contradictions within the global and historical Church, which are troubling to me.


When I began delving into the chain reaction of deception and hiding just a few pages into Genesis, I was surprised to discover a direct connection between that text and the New Testament passage I had already had in mind to respond to (Ephesians 5:25–33), which quotes a line from Genesis about the mystery of marriage. I’m intrigued that the Apostle Paul chooses the metaphor of marriage—perhaps the most complex and intimate of human relationships—to depict the relationship between God and the Church. It was this image that became my starting point for taking off some of the layers.




Spark Notes

The Artist's Reflection

Emily Ruth Hazel is a poet, writer, and cross-pollinator who is passionate about diversifying the audience for poetry and giving voice to people who have been marginalized. Selected as the Honorary Poet for the 25th Annual Langston Hughes Community Poetry Reading in Providence, Rhode Island, she presented a commissioned tribute to the Poet Laureate of Harlem in February of 2020. She is a two-time recipient of national Dorothy Sargent Rosenberg Poetry Prizes and was awarded a National Endowment for the Arts Fellowship for a residency at The Hambidge Center in 2014. Her chapbook, Body & Soul (Finishing Line Press, 2005), was a New Women’s Voices finalist. Emily’s work has appeared in numerous anthologies, magazines, literary journals, and digital projects, including Kinfolks: A Journal of Black Expression and Magnolia: A Journal of Women’s Socially Engaged Literature. Her poetry has also been featured on music albums, in a hair salon art installation, and in a science museum exhibition.


Emily has written more than twenty commissioned works for organizations, arts productions, social justice projects, and private clients. Currently, she is developing several poetry book manuscripts and writing lyrics for an original musical inspired by the life of the extraordinary singer and Civil Rights icon Marian Anderson. A graduate of Oberlin College’s Creative Writing Program and a former New Yorker, she is now based in the Los Angeles area.


EmilyRuthHazel.com

Instagram: @EmilyRuthHazel

Facebook.com/EmilyRuthHazel




Emily Ruth Hazel

About the Artist

Artist in Residence 2013, Emily Ruth Hazel

Word of Mouth

In the Wake of the Storm

Circling the Waist of Wisdom

Give Me a Name

Homecoming

Give Us This Day

Undressing Prayer

Emily Ruth Hazel

Other Works By 

Explore the other works composed throughout the year in Emily's poetry collection, created as a 2013 Artist in Residence.


Explore her works created throughout the year:

“In the Wake of the Storm”

LIGHT AND DARKNESS (JANUARY 21, 2013)

“Circling the Waist of Wisdom”

FOOLS (APRIL 26, 2013)

“Homecoming”

DANCING (JUNE 27, 2013)

“Runaway”

LIES (AUGUST 8, 2013)

“Give Us This Day”

HARVEST (NOVEMBER 14, 2013)

“Undressing Prayer”

MEMORY (JANUARY 6, 2013)







Artists in Residence



Spark+Echo Artists in Residence spend a year developing and creating a major work in response to Scripture. Click on their names to view their projects.



Current Artists in Residence


Spark+Echo Arts seeks to develop and support communities of artists who engage with and create in response to the Bible. Due to the impacts of COVID-19 and some internal changes, we decided to pause the Artist in Residency for a year so that we could regroup our resources. Our hope is to continue offering this opportunity in 2021.


 

Previous Artists in Residence

2020

Sapient Soul, Marlanda Dekine (Poetry + Spoken Word)


2019

Lancelot Schaubert (Short Story)


2018

Elias Popa (Installation Art)


2017

Aaron Beaumont (Music), Lily Maase (Music)


2016

Ebitenyefa Baralaye (Visual Art), Chris Knight (Film), Lauren Ferebee (Theatre), Stephanie Miracle (Dance)


2015

Benje Daneman (Music), Jason DaSilva (Film), Melissa Beck (Visual Art), Don Nguyen (Theatre), Christine Suarez (Dance), The Spark & Echo Band (Music)


2013

Nicora Gangi (Visual Art), Emily Ruth Hazel (Poetry)

Related Information
Image by Aaron Burden

The Church is a conflicted bride, her face flushed with passion, her thoughts laced with doubt. Home, to her, has never been a single street address.

View Full Written Work

Runaway

by Emily Ruth Hazel



1



The Church is a conflicted bride,

her face flushed with passion,

her thoughts laced with doubt.

Home, to her, has never been

a single street address. She lives

everywhere, a temple built of flesh

instead of stone, a body

with a mind and a will of her own,

her heart not only red but also blue

and independent, her spirit

both radiant and restless.

How far she has wandered, dragging

the train of her newly washed dress

through sewage-flooded gutters.


When she returns, ready to change,

grace attends her, fingers gently

combing out the tangle of her hair, patiently

undoing seven times seventy buttons.

But legalism has one narrow foot

braced against the Church’s back, two hands

yanking taut the laces of a corset

made from the bones of faith,

that great, endangered mystery

that swims beneath the surface.

Perhaps this undergirding was designed

for the body, to shape and support,

but it digs into her skin,

pressing her inmost parts

to conform to its constraints.


Breath held captive, the bride

anxiously waits to be untied,

Pilate’s questioning of Christ

reverberating through her

centuries later—What is truth?

This far from paradise,

knowing good and intimate with evil,

how could her heart ever again

be naked without shame?

What would she look like if she lost

the fig leaf lingerie? What if

she continued the long walk down the aisle,

eyes fixed on her first love,

confessing all her uncertainties—

would God still have her?



2



Born hungry, we feed each other

false hopes like the warm milk of a lullaby.

Having outlived the famine years,

we think we are finally wise

and bite into the red delicious of deception,

handing it off to our partners.


The growl grows louder.

A tribe of exiles and runaways,

we are all in the same soup line,

but we front as if we’re in the queue

to enter an elite club where God is

a brass-knuckled bouncer

letting in only those who pay

or charm their way inside.

Angling for VIP passes,

we bleach our teeth with white lies,

wear pretense like concealer,

sweep shades of embellishment

in all the right places. We flaunt

our faux diamonds and flash our fake ID.


Fully knowing who we are,

knowing that we can’t afford the cover,

the host at the door waves us in

and offers us a bowl and spoon.

We grab what is given with one hand,

the other hand already reaching back

to draw the invisible velvet cord

across the path behind us:

we want to be the first inside

and the last to make the cut.



3



Measuring our steps like a barefoot bride

who wears a borrowed spoon

dangling from her necklace,

what is it we are limping toward?

Eden is a memory of the scent of

apple blossoms. What do we have left,

we ask, that we have not created

for ourselves? Our fingerprints on everything,

by this time, who can tell

how much of religion is manmade?


The river of life that streams from heaven

has been dammed and redirected,

human calculations managing the flow,

interrupting natural rhythms.

From the spinning belly of the same truck

out of which that wall was born,

poured as a thick, gray river of our own,

we have built a semblance of refuge on the shore.

Easily sold on the invention

of that which is concrete—

a substance that grows stronger

as it ages—who can blame humanity

for mixing with cement

our aggregate beliefs? We manufacture

cinder blocks of knowledge

weighty enough to withstand

minor disasters, but never

too heavy to lift alone.


Stacking rules upon rituals,

long ago, we tried to build a tower

that would scrape away the blue,

leave a keyhole in the sky

so we could see beyond,

but our tongues divided us;

our ladders toppled.

Among our tall attempts,

we have landscaped a courtyard instead,

an echo of the garden we once knew,

then sealed it with a glass roof

more transparent than our prayers,

turning the open space into yet another

structure to contain the wind,

to cage our fear of what we can’t control.

Everything within our reach

we have domesticated. But what can we do

with a wind that cannot be caught?




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Image by Aaron Burden

The Church is a conflicted bride, her face flushed with passion, her thoughts laced with doubt. Home, to her, has never been a single street address.

Download Full Written Work
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