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Emily Rose Hazel's work responds to the devastation after Hurricane Sandy, the theme of "Light and Darkness," and to the passages of Isaiah 50:2-3; 59:9-11 and Luke 1:78-79 as she builds a poetry collection responding to every theme from the year as a 2013 Spark+Echo Artist in Residence.

Isaiah 59:9-11

Isaiah 50:2-3

Luke 1:78-79

In the Wake of the Storm

By 

Emily Ruth Hazel

Credits: 

Read by Emily Rose Hazel

Curated by: 

Spark+Echo Arts, Artist in Resident 2013

2013

Poetry/Spoken Word

Image by Giorgio Trovato

Primary Scripture

Therefore is justice far from us,
and righteousness doesn’t overtake us.
We look for light, but see darkness;
for brightness, but we walk in obscurity.
We grope for the wall like the blind.
Yes, we grope as those who have no eyes.
We stumble at noon as if it were twilight.
Among those who are strong, we are like dead men.
We all roar like bears,
and moan bitterly like doves.
We look for justice, but there is none;
for salvation, but it is far off from us.

Isaiah 59:9-11

“In the Wake of the Storm” is a response to the devastation of Hurricane Sandy, particularly its impact on the New York metro region. While I was very grateful to have come through the storm unscathed, a number of my friends were directly affected by it. Some felt the effects for days; others are still dealing with the aftermath months later.


After seeing widespread power outages and damage from fallen trees, flooding, and fires, those images stayed with me. Talking with people who had experienced these losses, I was struck by how quickly our modern world can be turned upside-down and how powerless we feel when this happens.


Crisis, as we know, brings out the best and the worst in human nature—the light and the dark. It presents an opportunity for people to adapt with remarkable resilience and generously help each other, or to dip into despair and take advantage of one another’s vulnerability.


I wanted to write a poem that would hold kernels of many stories from people in different areas who are recovering from disaster, and to leave room for questions that arise out of pain and anger, as a way of giving voice to their ongoing struggle.


Where The Boardwalk Used To Be,

Taken By Emily Rose Hazel, Edited By Charis J Carmichael Braun

Spark Notes

The Artist's Reflection

Emily Ruth Hazel is a poet, writer, and cross-pollinator who is passionate about diversifying the audience for poetry and giving voice to people who have been marginalized. Selected as the Honorary Poet for the 25th Annual Langston Hughes Community Poetry Reading in Providence, Rhode Island, she presented a commissioned tribute to the Poet Laureate of Harlem in February of 2020. She is a two-time recipient of national Dorothy Sargent Rosenberg Poetry Prizes and was awarded a National Endowment for the Arts Fellowship for a residency at The Hambidge Center in 2014. Her chapbook, Body & Soul (Finishing Line Press, 2005), was a New Women’s Voices finalist. Emily’s work has appeared in numerous anthologies, magazines, literary journals, and digital projects, including Kinfolks: A Journal of Black Expression and Magnolia: A Journal of Women’s Socially Engaged Literature. Her poetry has also been featured on music albums, in a hair salon art installation, and in a science museum exhibition.


Emily has written more than twenty commissioned works for organizations, arts productions, social justice projects, and private clients. Currently, she is developing several poetry book manuscripts and writing lyrics for an original musical inspired by the life of the extraordinary singer and Civil Rights icon Marian Anderson. A graduate of Oberlin College’s Creative Writing Program and a former New Yorker, she is now based in the Los Angeles area.


EmilyRuthHazel.com

Instagram: @EmilyRuthHazel

Facebook.com/EmilyRuthHazel




Emily Ruth Hazel

About the Artist

Artist in Residence 2013, Emily Ruth Hazel

Word of Mouth

Circling the Waist of Wisdom

Give Me a Name

Homecoming

Runaway

Give Us This Day

Undressing Prayer

Emily Ruth Hazel

Other Works By 

Explore the other works composed throughout the year in Emily's poetry collection, created as a 2013 Artist in Residence.


Explore her works created throughout the year:


“In the Wake of the Storm”

LIGHT AND DARKNESS (JANUARY 21, 2013)

“Circling the Waist of Wisdom”

FOOLS (APRIL 26, 2013)

“Homecoming”

DANCING (JUNE 27, 2013)

“Runaway”

LIES (AUGUST 8, 2013)

“Give Us This Day”

HARVEST (NOVEMBER 14, 2013)

“Undressing Prayer”

MEMORY (JANUARY 6, 2013)







Artists in Residence



Spark+Echo Artists in Residence spend a year developing and creating a major work in response to Scripture. Click on their names to view their projects.



Current Artists in Residence


Spark+Echo Arts seeks to develop and support communities of artists who engage with and create in response to the Bible. Due to the impacts of COVID-19 and some internal changes, we decided to pause the Artist in Residency for a year so that we could regroup our resources. Our hope is to continue offering this opportunity in 2021.


 

 

Previous Artists in Residence

2020

Sapient Soul, Marlanda Dekine (Poetry + Spoken Word)


2019

Lancelot Schaubert (Short Story)


2018

Elias Popa (Installation Art)


2017

Aaron Beaumont (Music), Lily Maase (Music)


2016

Ebitenyefa Baralaye (Visual Art), Chris Knight (Film), Lauren Ferebee (Theatre), Stephanie Miracle (Dance)


2015

Benje Daneman (Music), Jason DaSilva (Film), Melissa Beck (Visual Art), Don Nguyen (Theatre), Christine Suarez (Dance), The Spark & Echo Band (Music)


2013

Nicora Gangi (Visual Art), Emily Ruth Hazel (Poetry)

Related Information
Image by Aaron Burden

Shattered windows that we are, strangers look through us at the aftermath. We are the dislocated, out of socket.

In the Wake of the Storm

by Emily Rose Hazel



Shattered windows that we are,

strangers look through us at the aftermath.

We are the dislocated, out of socket.

Bullied by the wind, knocked down, roots exposed.

We are the stories that go on breathing

after the headlines have exhausted themselves,

the survivors at the end of each obituary.

We are the families evicted by the ocean:

the deep has dragged its bloated belly

over the seawall, over the roads,

and made itself at home in our living rooms.

Our kitchen floors are covered

with its afterthoughts. Our basements

have been emptied of meaning.


Mountains of sand to be moved.

Of what use is faith to us, if it’s not muscled

and doesn’t carry its own shovel? What good is prayer

unless it can clear away all the debris

and show us what we’re standing on?


We are like broken boats

abandoned in the streets. We are the houses

we’ve been anxious to return to,

desperate to reclaim ourselves.


>p>The landscape as we knew it has dissolved.

A slab of what was once the boardwalk—

so many summers—washed up in a driveway.

Still bolted to the wood, a bench

on which we might have eaten ice cream.


Rows of fire-ravaged houses:

twisted metal bedframes, front steps

leading nowhere. A green door, left ajar,

listing on its hinges. Behind it,

the tangled remains—no walls,

just a swamp of blackened bricks.


>Everything is muddy and tastes of salt and ashes.

We wash dishes, clothes, our shivering bodies

with gratitude for clean but frigid water,

trying to contain the bitterness,

stop the infection from spreading.


Our batteries are dying,

our bright white circles of certainty

fading to hazy, amber halos.

In electricity we trust, but now

we’re going back to what has guided generations.

Every match strikes a word of courage

against the dark: a tongue of flame

flares up and licks the wick.


In this blind tunnel of days,

we huddle together, relearn old ways

to connect, trying to forget

how powerless we are. And for a while,

darkness slithers away, hides

in the corners of our minds.


A caravan of strangers

parked along the shoulder of the road,

we wait for hours to fill our empty tanks.

At the church, we stand in yet another line

to be handed rationed supplies:

a bucket and a flimsy sponge mop,

two rolls of toilet paper,

a Ziploc sandwich bag of laundry powder.

We reach into a box of matchbooks,

but there are no more candles to be found.


The days, mere stubs of wax,

burn out quickly now. Night comes early

to claim us. Not even a stoplight

punctuates the run-on sentence of the dark

as far as we can see.

After half-living so long without,

will it seem a strange miracle

when the wires hum with energy again?

Will we dizzy ourselves in celebration,

or simply weep with relief?

The promise of restoration

stale on winter’s breath, we are weary of waiting

for the sun to remember us.


We live on the far end of enough.

Justice does not reach us here. We open our doors

and step into bottomless shadows. We have lost

our eyes. We feel our way along the walls

as if the answers were written in braille.

As if our fingers could read.


Among the strong, we are like the dead.

Our hunger is an angry growl.

Our mourning is a hollow, feathered cry.

We stretch out our hands for deliverance

and it floats away, just beyond our reach.

We cling to each other to keep the ones we love

from being swept away by waves of despair.


God, if you hear us, why are you silent?

Is it because you are listening?

Or is your own throat filled with sand?

Push the waters back to where they belong.

If it’s true you can dry up the sea with a word,

have you misplaced what you meant to say?


If you are with us, how can we know,

when you have pulled down the curtain

and snuffed out all the lights in the sky

so that we cannot even see your silhouette?

Are you too tired to rescue us?

Are your arms too short to save?


We are still waiting for daybreak,

for your mercy to shine on the rest of us

sitting in the dark, sleeping in the shadow of death—

for you to show us, one foot at a time,

how to navigate these ruins

and somehow forge a crooked path to peace.

What do we have left? Splinters of memories,

jars of peanut butter to sustain us,

the generosity of friends. The work to be done

stretches before us like an ocean.


For now, we share what little light we have.

We swaddle babies in blankets.

We climb the stairs in high-rise buildings

to bring meals to aging parents.

We cup one hand around this flicker of hope,

our wavering belief that even now,

help is on its way from somewhere.




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Image by Aaron Burden

Shattered windows that we are, strangers look through us at the aftermath. We are the dislocated, out of socket.

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