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Brooklyn-based stop-motion animator and mixed media artist (painter, sculptor) Jessie Brugger chose Isaiah 59 for this fanciful and macabre exploration of Spark+Echo Arts' 2012 theme "Hands." Molding clay, Jessie inquires of the imagery in the passage, vividly animating the poetry of the ancient prophet's grim language.
Isaiah 59
Webs
By
Jessie Brugger
Credits:
Curated by:
Charis J Carmichael Braun
2012
Film, Stop Motion Animation

Primary Scripture
Behold, Yahweh’s hand is not shortened, that it can’t save;
nor his ear dull, that it can’t hear.
But your iniquities have separated you and your God,
and your sins have hidden his face from you,
so that he will not hear.
For your hands are defiled with blood,
and your fingers with iniquity.
Your lips have spoken lies.
Your tongue mutters wickedness.
No one sues in righteousness,
and no one pleads in truth.
They trust in vanity,
and speak lies.
They conceive mischief,
and give birth to iniquity.
They hatch adders’ eggs,
and weave the spider’s web.
He who eats of their eggs dies;
and that which is crushed breaks out into a viper.
Their webs won’t become garments.
They won’t cover themselves with their works.
Their works are works of iniquity,
and acts of violence are in their hands.
Their feet run to evil,
and they hurry to shed innocent blood.
Their thoughts are thoughts of iniquity.
desolation and destruction are in their paths.
They don’t know the way of peace;
and there is no justice in their ways.
They have made crooked paths for themselves;
whoever goes in them doesn’t know peace.
Therefore is justice far from us,
and righteousness doesn’t overtake us.
We look for light, but see darkness;
for brightness, but we walk in obscurity.
We grope for the wall like the blind.
Yes, we grope as those who have no eyes.
We stumble at noon as if it were twilight.
Among those who are strong, we are like dead men.
We all roar like bears,
and moan bitterly like doves.
We look for justice, but there is none;
for salvation, but it is far off from us.
For our transgressions are multiplied before you,
and our sins testify against us;
for our transgressions are with us,
and as for our iniquities, we know them:
transgressing and denying Yahweh,
and turning away from following our God,
speaking oppression and revolt,
conceiving and uttering from the heart words of falsehood.
Justice is turned away backward,
and righteousness stands far away;
for truth has fallen in the street,
and uprightness can’t enter.
Yes, truth is lacking;
and he who departs from evil makes himself a prey.
Yahweh saw it,
and it displeased him that there was no justice.
He saw that there was no man,
and wondered that there was no intercessor.
Therefore his own arm brought salvation to him;
and his righteousness sustained him.
He put on righteousness as a breastplate,
and a helmet of salvation on his head.
He put on garments of vengeance for clothing,
and was clad with zeal as a mantle.
According to their deeds,
he will repay as appropriate,
wrath to his adversaries,
recompense to his enemies;
he will repay the islands their due.
So shall they fear Yahweh’s name from the west,
and his glory from the rising of the sun;
for he will come as a rushing stream,
which Yahweh’s breath drives.
“A Redeemer will come to Zion,
and to those who turn from disobedience in Jacob,” says Yahweh.
“As for me, this is my covenant with them,” says Yahweh. “My Spirit who is on you, and my words which I have put in your mouth, shall not depart out of your mouth, nor out of the mouth of your offspring, nor out of the mouth of your offspring’s offspring,” says Yahweh, “from henceforth and forever.”
Isaiah 59
Share This Art:
Born into a Catholic family and having a father who was a Catholic priest, I am intrigued with religion and how it takes such a presence in society. There are a lot of unknown's when it comes to Religion; for me, and my work is an exploration into that unknown. The church has been a main influence on my life and work; as it is the first place I understood hierarchy, power struggles and gender injustice, at the same time experiencing beauty, light, and spirituality.
I often use the "Carnivalesque" as a vehicle to portray my thoughts and stories. I was interested in the Bible project that Spark and Echo Arts is doing because there were no limits placed on my interpretation of any passage from the Bible.
I chose hands as my theme because I believe the Bible is a mixture of Man's hands and spirituality. I chose Isaiah 59 because it was so visually dark and showed how evil man could be, yet somewhere in hands that can do evil, they can also do beauty and goodness too. Hands have always been my favorite thing to draw since I was a child. My hands are my tools.
Creating my vision through clay maquettes that I build in order to tell a story, I use the maquettes as a world to draw from, and then animate. The sculptures are raw and imperfect. I am interested in video because of the time element, I am interested in stop-animation because of the freedom of imagination it allows for: each photo that is taken in the process of a stop animation video is a moment in time that is captured, and complete, yet it is part of a bigger picture. My maquettes, paintings, drawings and videos are all part of a bigger world, in which I am creating.
Spark Notes
The Artist's Reflection
Jessie Brugger was born in Puyallup, Washington. She started her artistic studies of painting, drawing, and mixed media at Western Washington University in 1997. In 2000, she transferred to Concordia University, in Montreal Quebec, receiving her Bachelors of Fine arts in 2002. Jessie moved to Bedford Stuyvesant, Brooklyn in 2005, and in 2010 she completed a Masters of Fine Arts at the New York Academy of Art. She started doing stop animation in 2010 with her drawings, clay, and other mixed materials. The videos that Jessie makes are colorful and whimsical, yet disquieting and socially political. In April 2011, she was awarded “Best in Animation” at the New York International Film Festival for her video, “The Stained Glass Window.” Jessie works on her animations, maquettes, paintings and drawings in Brooklyn, New York.
Jessie Brugger

About the Artist
Jessie Brugger
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