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Poet Meg Freitag explores the duality of the human experience through her poem which illuminates Genesis 6:5-9:17.
Genesis 6:5-9:17
Once to Speak of His Brightness
By
Meg Freitag
Credits:
Curated by:
Kent Shaw
2016
Poetry
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Primary Scripture
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I find myself going back again and again to this idea of duality, and how one can feel despair over the state of the world, regret over choices they’ve made, disappointment over unmet expectations, etc., and yet still experience moments of profound joy, gratitude, delight simultaneously. A person can do a horrible thing and still be loveable. A perpetrator can also be a victim. People are burdened with conflicting desires all day long. The desire to be cared for versus the desire to be free, for instance. Or the desire to be respected versus the desire to be liked.
I’ve long been preoccupied with the Noah’s Ark story. About God commanding the deluge, and what happens to Noah and his family after the flood. I think it’s an incredible narrative with incredible imagery. But it’s also deeply unsettling. There’s so much going on in this part of Genesis that is so confusing, even unfathomable at times, particularly the moments in which God seems to contradict Himself. I wonder if perhaps coming to terms with the irreconcilably dual nature of selfhood and desire is necessary for all acts of creation.
Spark Notes
The Artist's Reflection
Meg Freitag was born in Maine and currently lives in Austin, Texas. She has a BA from Sarah Lawrence College and an MFA from UT’s Michener Center for Writers, where she was a finalist for the 2015 Keene Prize for Literature. Her work has appeared in Tin House, Boston Review, Indiana Review, Day One, and Narrative, among others.
Meg Freitag
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About the Artist
Meg Freitag
Other Works By
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How do You let your children Go like that, every which Way into the world Like chess pieces Set to a terrible music.
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O n c e t o S p e a k o f H i s B r i g h t n e s s
By Meg Frietag
( o n e )
How do You let your children
Go like that, every which
Way into the world
Like chess pieces
Set to a terrible music. How
Do You just stand there
And watch them pedal their bikes
Away from you, downhill
At breakneck speeds. Tiny softShelled
crabs so numerous as to seem
Like a single, disorganized organism,
Clamoring all over
The tops of each other
Trying to get to the best air.
How do You let them bury
Each other in the black
Suede of the sea? The first time
I rode in an airplane, I felt as if
I was somehow getting closer to You.
I felt like my prayers
For my friend Joanna, who had been hit
By a car and broken
Her back, would be louder
In Your ear. But the higher we went,
The farther I realized You were. It didn’t
Even occur to me, then,
That she might die, or to worry about her
Never being able to walk again.
I just wanted her to be well
Enough to accompany me
To the waterpark. I wanted to go to her
House and play Operation.
She was the only person I knew
Who still had all the bones
And organs that went to the game. That summer,
I listened to the Jewel
CD on repeat, singing along
Alone in the sunroom of my grandparents’
Pensacola house. Picture
A child, small for her age, drenched
In a large new vibrato. Picture the shivering
Lizards adhered to the window
Screens, picture how green.
And the rain
That came each evening, roaring
Sheets of percussive music. I thought then
Of the Old Testament
God, so notoriously shortTempered,
still figuring Himself
Out. For the longest time I couldn’t
Reconcile him with You. You,
Who I spoke to at night when I was afraid
I might do something to accidentally conjure
The devil and needed reassurance.
You with the dovelight
That trailed behind You
Everywhere you went. How
Do the two of You decide
When it’s time to reach
Down, pick someone
Up by the scruff of his neck?
The clouds turn to brick
Red scabs as the sun sinks, the streetLights
flashing on
Like minnows. I watched
The movie My Girl. It felt like a hole
Had been punched through
The world when the boy
Was stung to death by bees
As he tried to retrieve
The mood ring his best friend had dropped
In the woods. I felt myself projected
Into the body of the girl who loved him,
When she finally lost it
At his funeral
Because he wasn’t wearing
His glasses.
( t w o )
And in real life, there was Snowflake.
They called him that
In seventh grade because of how
Pale he was: his birch-
White hair, his see-through eyelashes.
The veins in his arms like radio
Wires. I swear they did
But when I saw him again, years later,
He didn’t know what I was talking about.
You’re confusing me
With somebody else, he said,
And I never mentioned it again.
Something happened to him
In Afghanistan. Orange dust
Rose around him
So dense I couldn’t see him
Through it whenever he tried to talk
To me about his time there. What does one do
When they are suddenly void
Of all desire? Like they couldn’t grab
Hold of a want
If their life depended on it. I have been
Before to this place, but have always made it
Back in time. Desire, this bright
Spot we carry by its handle
Like a lantern as we move
Forward. Without it
We are blind as animals that live
Their entire lives underground, living
The small way, with their mouths
Full of dirt. Long ago,
The Earth was covered
In a fine white fur. Animals
Slept out in the open and ate
Grain from the palms
Of our hands. You learned the hard way
That something white won’t stay
Clean for long. The bacchanalian
Stench became so thick
We had to line our nostrils
With camphor oil just to sleep
At night. You took down
Everyone’s number, said I will be back
For you later. No one believed You,
That’s how hollow the sounds
Of Earth had become. But You
Showed them. I think
Snowflake killed people
And he was violent with me, once.
I didn’t speak
A word to him
In the three years leading up
To his death. And yet
I still remember him as mostly
A gentle person. A boy with crooked
Wire glasses and filthy sneakers,
Who had panic attacks
Every time he thought
About what would happen
Once the landfills filled up. A summer
Morning, scored by garish,
Unkind light. Blue
Jays scatter from the yard
Like marbles, every which
Way, as I cross
To the compost. I know
It’s in their best interest, but I wish
You’d not taught the animals to fear
Us. Everything
Is always getting smaller
As it moves away. Do you see
Me, how alive I am? Growing
Old as a saint down here
In my little skiff. Caught
Between a desire to be loved—
Deeply, permanently—
And a desire
To be weightless. A foil
Wrapper in the soup-warm sea,
Gleaming
Like a beacon every now and again.
When the light strikes just right.
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How do You let your children Go like that, every which Way into the world Like chess pieces Set to a terrible music.
![](https://static.wixstatic.com/media/d28b2f_272d9cc2b72a439c83c448f77d940ec2~mv2.png/v1/fill/w_980,h_249,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/black%20gradient.png)