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We are pleased to present the work of David Pettibone as he explores the theme of "Hands" from the story of Jacob and Esau from Genesis 27:1-17.

Genesis 27:1-17

Jacob

By 

David Pettibone

Credits: 

Curated by: 

Charis J Carmichael Braun

2012

16 x 27 inches

Oil on canvas

Image by Giorgio Trovato

Primary Scripture

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I consider myself agnostic and initially had superficial reservations about taking on this project. Yet I have a deep respect for religion and immeasurable appreciation for the good that can come out of faith and tradition. I also have always felt an intense connection and fascination with the iconography of the Catholic Church and would never deny the effects of nearly two thousand years of christianity on an individual, growing up in a western society. My stance on religion, I feel, is important to mention as it hopefully gives the viewer insight into the approach I chose towards making my painting.


I was initially drawn to the theme of hands for many reasons. As a painter, I create with my hands. The handcrafted, in the age of speed and overload, is almost a symbol of defiance. To create directly with the hands is to slow the world down and reconnect with all that is physical and sometimes primal. An unmatched level of craftsmanship and much beauty can come directly from the hand. And yet, at the same time, the hand is responsible for so much that is ugly and destructive. The human hand can nourish and save life and it can just as easily, sometimes with more ease, take life away.


In Genesis, through his hands, Jacob deceives his own, blind father, Isaac, in order to obtain the birthright that was to be his elder brother's- to rule over his people. And it was those same hands, with which he later wrestled with an angel, thus becoming "Israel", a prince with God and a leader of the Jewish people.


I chose the moment of deception as the subject for my painting as it is a moment that expresses the extreme contradictions that the human hand is capable of. Mores specifically, I chose to focus on the hands themselves. As it may look to a dying, elderly man, blinded by age, obscure hands come out from the shadow and are laid down on a blood-red table. Instead of goat skin, I chose lambskin to cover the backs of Jacob's hands. Traditionally, the Bible refers to believers as Lambs of God, and I felt that using lambskin would bridge the identity from Jacob to all people. As all of us are capable of using our hands towards both deception and graciousness.



Spark Notes

The Artist's Reflection

David Pettibone is a New York based artist focusing extensively on the medium of oil paint and the portrayal of the contemporary figure. He was born in Phoenix, Arizona and received his BFA from the Rhode Island School of Design and MFA from the New York Academy of Art. Upon graduating, he stayed on at the New York Academy of Art for one more year as a Fellow. He has taught painting at Brooklyn College and currently teaches drawing and painting at Marymount Manhattan College, 3rd Ward in Brooklyn and Brooklyn Artist Gym. His work is included in various private collections with continuous growing support.



David Pettibone

About the Artist

David Pettibone

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