Loading Video . . .
We are pleased to present the work of David Pettibone as he explores the theme of "Hands" from the story of Jacob and Esau from Genesis 27:1-17.
Genesis 27:1-17
Jacob
By
David Pettibone
Credits:
Curated by:
Charis J Carmichael Braun
2012
16 x 27 inches
Oil on canvas

Primary Scripture
When Isaac was old, and his eyes were dim, so that he could not see, he called Esau his elder son, and said to him, “My son?”
He said to him, “Here I am.”
He said, “See now, I am old. I don’t know the day of my death.
Now therefore, please take your weapons, your quiver and your bow, and go out to the field, and take me venison.
Make me savory food, such as I love, and bring it to me, that I may eat, and that my soul may bless you before I die.”
Rebekah heard when Isaac spoke to Esau his son. Esau went to the field to hunt for venison, and to bring it.
Rebekah spoke to Jacob her son, saying, “Behold, I heard your father speak to Esau your brother, saying,
‘Bring me venison, and make me savory food, that I may eat, and bless you before Yahweh before my death.’
Now therefore, my son, obey my voice according to that which I command you.
Go now to the flock and get me two good young goats from there. I will make them savory food for your father, such as he loves.
You shall bring it to your father, that he may eat, so that he may bless you before his death.”
Jacob said to Rebekah his mother, “Behold, Esau my brother is a hairy man, and I am a smooth man.
What if my father touches me? I will seem to him as a deceiver, and I would bring a curse on myself, and not a blessing.”
His mother said to him, “Let your curse be on me, my son. Only obey my voice, and go get them for me.”
He went, and got them, and brought them to his mother. His mother made savory food, such as his father loved.
Rebekah took the good clothes of Esau, her elder son, which were with her in the house, and put them on Jacob, her younger son.
She put the skins of the young goats on his hands, and on the smooth of his neck.
She gave the savory food and the bread, which she had prepared, into the hand of her son Jacob.
Genesis 27:1-17
Share This Art:
I consider myself agnostic and initially had superficial reservations about taking on this project. Yet I have a deep respect for religion and immeasurable appreciation for the good that can come out of faith and tradition. I also have always felt an intense connection and fascination with the iconography of the Catholic Church and would never deny the effects of nearly two thousand years of christianity on an individual, growing up in a western society. My stance on religion, I feel, is important to mention as it hopefully gives the viewer insight into the approach I chose towards making my painting.
I was initially drawn to the theme of hands for many reasons. As a painter, I create with my hands. The handcrafted, in the age of speed and overload, is almost a symbol of defiance. To create directly with the hands is to slow the world down and reconnect with all that is physical and sometimes primal. An unmatched level of craftsmanship and much beauty can come directly from the hand. And yet, at the same time, the hand is responsible for so much that is ugly and destructive. The human hand can nourish and save life and it can just as easily, sometimes with more ease, take life away.
In Genesis, through his hands, Jacob deceives his own, blind father, Isaac, in order to obtain the birthright that was to be his elder brother's- to rule over his people. And it was those same hands, with which he later wrestled with an angel, thus becoming "Israel", a prince with God and a leader of the Jewish people.
I chose the moment of deception as the subject for my painting as it is a moment that expresses the extreme contradictions that the human hand is capable of. Mores specifically, I chose to focus on the hands themselves. As it may look to a dying, elderly man, blinded by age, obscure hands come out from the shadow and are laid down on a blood-red table. Instead of goat skin, I chose lambskin to cover the backs of Jacob's hands. Traditionally, the Bible refers to believers as Lambs of God, and I felt that using lambskin would bridge the identity from Jacob to all people. As all of us are capable of using our hands towards both deception and graciousness.
Spark Notes
The Artist's Reflection
David Pettibone is a New York based artist focusing extensively on the medium of oil paint and the portrayal of the contemporary figure. He was born in Phoenix, Arizona and received his BFA from the Rhode Island School of Design and MFA from the New York Academy of Art. Upon graduating, he stayed on at the New York Academy of Art for one more year as a Fellow. He has taught painting at Brooklyn College and currently teaches drawing and painting at Marymount Manhattan College, 3rd Ward in Brooklyn and Brooklyn Artist Gym. His work is included in various private collections with continuous growing support.
David Pettibone

About the Artist
David Pettibone
Other Works By
Related Information


Loading Video . . .





