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This rich short story by public historian and author Sara Makeba Daise provides for the reader a taste of Revelation 1:1-3.

Revelation 1:1-3

Blessed Are We


Sara Makeba Daise


Curated by: 


Historical Fiction Short Story

Image by Giorgio Trovato

Primary Scripture

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Before even choosing this text, I knew that I would like whatever illumination I offered to be grounded in Womanist theology. I choose to center Black women and the people who are most marginalized in all that I do.

The short story I told is historical fiction, based on real-life events in my hometown of Beaufort, SC. Black and white people gathered on New Year’s day to hear the Emancipation Proclamation being read aloud. And when I thought about Revelations and the idea around this earth-shattering message from God, I wanted to imagine a message with that level of severity being offered in real life.

I know many people think of the Bible as fiction. As a Public Historian, I know many people think of the history of American slavery as fiction. In both cases, the stories of Black queer people, trans people, non-binary people, cis women, disabled, and other marginalized folks are rarely centered. Rarely given reverence. So this was me re-imaging a story I’ve heard my parents tell countless times about free people on St. Helena Island. The idea that the message, and the messenger, and those who received the message were all blessed. And that this message would change the world.

I wanted to push that further to say, if we were centering the voices of the most marginalized from the beginning, we’d all be all the more blessed. Jesus, as I have understood him, was a champion of the most marginalized. Sandy and Hurriya are fictional. But Black people being born free into an unfree world is not.

I believe liberation is possible.

I believe Heaven on Earth is possible.

I believe that those who came before us are waiting for us to remember the Love and Light we come from.

Spark Notes

The Artist's Reflection

As a Cultural History Interpreter and Public Historian, Sara’s work connects past, present, and future in accessible, healing, and liberating ways. Her research and praxis include Gullah Geechee women, Womanism, Black Feminism, Afrofuturism, queerness, sexual freedom, Black affirmations, and the power to imagine and manifest better worlds.

Sara is a Program Assistant for The Charles Joyner Institute for Gullah Geechee & African Diaspora Studies at Coastal Carolina University.

She was one of the 4 original Interpretive Aides at Mcleod Plantation Historic Site in Charleston, SC when it opened to the public in 2014. She is a living historian with the Slave Dwelling Project. She is also a Digital Archivist for Real Black Grandmothers, an online archive centering the stories of Black Grandmothers throughout the diaspora.

A native of Beaufort, SC, She earned her B.A. in Communication with a minor in African American Studies from the College of Charleston, and she received her M.A. in Public History from Union Institute & University. Sara is one of the 2018 recipients of the Brian Webb Award for Outstanding MA Thesis in History & Culture.

Sara Makeba Daise

About the Artist

Sara Makeba Daise

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