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"A Call to Solitude" is five movements of prose set to music. After writing the prose, I collaborated with John Forsleff to compose musical aspects of the piece, with the idea that the violin and guitar would provide the emotional content of the text.
Hosea 2:6-23
A Call to Solitude
By
Ariele Macadangdang
Credits:
Composed by Ariele Macadangdang and John Forsleff
Performed by Sarah Amos, narrator; Ariele Macadangdang, violin; John Forsleff, guitar
Artist Location: Southwestern Michigan
Curated by:
Benje and Ashley Daneman
2014

Primary Scripture
Therefore behold, I will hedge up your way with thorns,
and I will build a wall against her,
that she can’t find her way.
She will follow after her lovers,
but she won’t overtake them;
and she will seek them,
but won’t find them.
Then she will say, ‘I will go and return to my first husband;
for then was it better with me than now.’
For she did not know that I gave her the grain, the new wine, and the oil,
and multiplied to her silver and gold, which they used for Baal.
Therefore I will take back my grain in its time,
and my new wine in its season,
and will pluck away my wool and my flax which should have covered her nakedness.
Now I will uncover her lewdness in the sight of her lovers,
and no one will deliver her out of my hand.
I will also cause all her celebrations to cease:
her feasts, her new moons, her Sabbaths, and all her solemn assemblies.
I will lay waste her vines and her fig trees,
about which she has said, ‘These are my wages that my lovers have given me;
and I will make them a forest,’
and the animals of the field shall eat them.
I will visit on her the days of the Baals,
to which she burned incense,
when she decked herself with her earrings and her jewels,
and went after her lovers,
and forgot me,” says Yahweh.
“Therefore behold, I will allure her,
and bring her into the wilderness,
and speak tenderly to her.
I will give her vineyards from there,
and the valley of Achor for a door of hope;
and she will respond there,
as in the days of her youth,
and as in the day when she came up out of the land of Egypt.
It will be in that day,” says Yahweh,
“that you will call me ‘my husband,’
and no longer call me ‘my master.’
For I will take away the names of the Baals out of her mouth,
and they will no longer be mentioned by name.
In that day I will make a covenant for them with the animals of the field,
and with the birds of the sky,
and with the creeping things of the ground.
I will break the bow, the sword, and the battle out of the land,
and will make them lie down safely.
I will betroth you to me forever.
Yes, I will betroth you to me in righteousness, in justice, in loving kindness, and in compassion.
I will even betroth you to me in faithfulness;
and you shall know Yahweh.
It will happen in that day, I will respond,” says Yahweh,
“I will respond to the heavens,
and they will respond to the earth;
and the earth will respond to the grain, and the new wine, and the oil;
and they will respond to Jezreel.
I will sow her to me in the earth;
and I will have mercy on her who had not obtained mercy;
and I will tell those who were not my people, ‘You are my people;’
and they will say, ‘My God!’”
Hosea 2:6-23
Share This Art:
"A Call to Solitude" is five movements of prose set to music. After writing the prose, I collaborated with John Forsleff to compose musical aspects of the piece, with the idea that the violin and guitar would provide the emotional content of the text. The first movement is about a woman's invitation to a feast and the discovery of a new place. In the second and third movements she struggles to accept that the feast is set for her, and that it is given to her freely. In the fourth movement she shows up weary from a trying season of life, bringing a set of expectations to the rich man. She is a person who cannot put down her pride to accept love from the true source. The fifth movement is my attempt at depicting the unwavering invitation of the rich man and the release of freedom that comes from receiving love.
The feast is symbolic of intimacy with the Lord. In a way the woman is Israel, but to me she represents followers of Jesus in different seasons, relating to the King. Every day Jesus invites us to a feast and most days we can't see the feast for what it is. At times when we can see it we shy away from it, thinking it is not ours to have. As a result we often settle for what we think we can provide for ourselves.
Performers on this recording are Ariele Macadangdang, violin, John Forsleff, guitar, and Sarah Amos, narrator.
Spark Notes
The Artist's Reflection
Ariele Macadangdang is a violinist from Southwest Michigan. In June 2012 she was a featured soloist in the Wal-Mart Annual Shareholders Meeting held in Fayetteville, Arkansas. Through her activities at Western Michigan University she has performed in collaborative concerts with jazz pianist Ed Simon, and Israeli jazz pianist/composer Alon Yavnai. She has twice performed at the Orfeo Music Festival held in the Italian Alps, where her current teacher, Renata Knific, is a faculty member. Since 2010 she has been a founding member and planter of a fine arts community outreach, Imago Dei, with InterVarsity Christian Ministry on her campus. Ariele is a freelance violinist for independent studio and recording projects with singer-songwriters in her area. She also enjoys improvisation and collaboration across artistic disciplines. She completed her undergraduate studies at Western Michigan University and is to begin her graduate studies at the University of Miami, Florida, in August 2014.
Ariele Macadangdang

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Ariele Macadangdang
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