In a world increasingly enthralled with high speed technology and quantity over quality production goals, Karen Goetzinger finds artistic inspiration in time honored traditions. She uses techniques that compel her to savor the process of creating; from the exhilaration of selecting colours and textures to the rhythmic lullaby of stitching by hand.

Ms. Goetzinger is an award winning artist, teacher, and lecturer currently living in Ottawa, Ontario. She is known and sought after for her finely detailed mixed media textile works that are influenced by her roots in traditional quilt making, couture construction, and her life-long passion for the urban landscape. Since 2005 she has taught at the Ottawa School of Art and is currently a mentor/instructor in the Fine and Contemporary Craft Mentoring Program.

Her work Revelation 21 is a 30″ x 30″ mixed media textile depicting the vivid text from Revelation 21 describing a “new heaven and a new earth”…

Read Revelation 21


Revelation 21 is a triptych consisting of Italian pima cotton organdy, cotton, tulle, gold lamé, acrylic paint, and gold leaf. Three 30″ x 10″ canvasses combine to make a 30″ x 30″ work (Revelation 21, verse 16: The city was laid out like a square, as long as it was wide.)

The city skyline is layers of organdy (often used in wedding gowns) built up as a city and then monoprinted with acrylic paint (verse 2: I saw the Holy City, the new Jerusalem, coming down out of heaven from God, prepared as a bride beautifully dressed for her husband.)

The bottom portion of each section was made by painting cotton fabric – cutting up the fabric into small rectangles of varying sizes and reassembling, overlapping the rectangles slightly. That new “fabric” was then stitched over the top in interlocking rectangles. Sheer tulle was stitched over the top (verses 19-20: The foundations of the city walls were decorated with every kind of precious stone. The first foundation was jasper, the second sapphire, the third agate, the fourth emerald, the fifth onyx, the sixth ruby, the seventh chrysolite, the eighth beryl, the ninth topaz, the tenth turquoise, the eleventh jacinth, and the twelfth amethyst.).

Each section of the triptych was monoprinted – the red “splotches” symbolize the blood of the Lamb. There are portions of text and as well as the gold lamé Alpha & Omega (verse 6: He said to me: “It is done. I am the Alpha and the Omega, the Beginning and the End.) and Chi Rho.

The gold leaf cross illuminates the city (verse 23: The city does not need the sun or the moon to shine on it, for the glory of God gives it light, and the Lamb is its lamp.)

The piece now resides in the east entrance of the chapel at Martin Luther College in New Ulm, Minnesota.

To learn more about Karen Goetzinger and her other work visit

This work is copyrighted by Karen Goetzinger and appears on Bible Confrontatie by permission. If you desire to use the image in any way please contact us or Ms. Goetzinger via her website for permission.

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